Look Up Days

Showing posts with label Top # Lists. Show all posts
Showing posts with label Top # Lists. Show all posts

Sunday, January 29, 2012

Top Ten Films of 2012

Top 10 Movies I'm Looking Forward to In 2012: Jeff

1) The Dark Knight Rises (July 20) - All I can say, is whether it is 'The Dark Knight' level of greatness, or 'Batman Begins', or even worse than the two, I'll still have an IMAX ticket to see it.



2) Nero Fiddled - Woody Allen's latest film. For the most part, ever since 2005's 'Match Point', Allen has been on an uphill slope of greatness ('Scoop' wasn't great, but it got better and better from there), and 'Midnight in Paris' is in my top 10 of this year. In the tradition of stellar casts, 'Nero' features performances for Jesse Eisenberg, Ellen Page, Penelope Cruz, Alec Baldwin, Roberto Benigni ('Life is Beautiful'), Greta Gerwig, and even a small appearance from Allen himself, all in four vignettes set in Rome.

3) Seven Psychopaths - Martin McDonagh. The next film from the playwright behind one of 'In Bruges'. It stars Colin Farrell (like 'In Bruges') and involves dog kidnapping schemes and gangsters. Nice. All I could ask for. The cast also includes Christopher Walken and Sam Rockwell (who both performed in his stage play 'A Behanding in Spoken', which I wished I could have seen), Woody Harrelson, Abbie Cornish, and Tom Waits.

4) Prometheus (June 8) - Ridley Scott going back to the 'Alien' franchise. Sweet. Cast which includes Michael Fassbender (getting more and more acknowledged as each minute passes), Charlize Theron (always fantastic), Guy Pearce (hoping he has more screen time, since the guy has been in the background over the past few years, with performances in 'The King's Speech' and 'Don't Be Afraid of the Dark') and Noomi Rapace (From the original Swedish 'Millennium Trilogy').

5) Gravity (November 21) - Alfonso Cauron's latest since 'Children of Men' (2006). Cauron has always pushed boundaries in terms of filmmaking, and I'm sure communities everywhere will buzz of its greatness once it has been released. Like most of Cauron's films, they run on simple premises but contain larger thoughts. This one concerns a mother trying to fix the Hubble telescope so that she can return to Earth and reunite with her daughter. With a small cast of George Clooney and Sandra Bullock, Cauron will be pulling no stops in terms of technology and it's guaranteed to be a groundbreaking work.

6) Django Unchained (December 25) - Oh Tarantino. Young and old, is there anyone who can't conveniently pull up some kind of schema for this man's films. Always unique, even when he conveniently cuts and pastes styles from other films, the man knows his dialogue, enough so to make a scene interesting and tense, even if it is just folks sipping coffee and talking. This one sounds even more deliberately self indulgent, with a plot involving a freed slave (Jamie Foxx) who teams up with a German bounty hunter (Christoph Waltz) to kill Calvin Candie (Leonardo DiCaprio, against type), an evil plantation owner, and save his wife (Kerry Washington). Samuel L. Jackson (SLJ, as I like to call him), Kurt Russell, Joseph Gordon-Levitt, RZA, and Sacha Baron Cohen are among the cast. Sounds like it's gonna be a ultra violent romp along the lines of 'Inglourious Basterd' (apparently spelled correctly, as Tarantino has made), and I'm certainly along for the ride.

7) Dark Shadows (May 11) and Frankenweenie (October 5) - I cheated by picking 2 here. Make all the cracks you want on director Tim Burton, but he's still one of my favorite directors. Burton has a style, one that nobody else matches, and he has mastered it in terms of visual art. No, I'm not the biggest fan of some of the films he has made over more recent years ('Planet of the Apes' (2001) and 'Alice in Wonderland' (2010, People like this one, but I found the plot far to predictable), but I can't argue that the art of every one of his films (excluding 'Apes') is fascinating beyond explanation. The man knows how to direct. 'Shadows' is based on a cult TV gothic soap opera about supernatural things and a mansion, etc. I haven't watched the series, so I'm looking forward to seeing it in fresh eyes, since I don't really have time to watch it (It lasted quite a while). Johnny Depp and Helena Bonham Carter obviously have large roles, but others join them, including Eva Green (the bond girl from 'Casino Royale'), Michelle Pfeiffer, Chloe Grace Moretz (becoming one of the most sought after "Young" actors, and the replacement for all of Dakota Fanning's former praise, well, except for Elle Fanning), and Jackie Earle Haley (a talented man, in both 'Little Children' and 'Watchmen'). 'Frankenweenie' turns Burton's 1984 live action short film into a claymation feature. I saw the original when I purchased The Nightmare Before Christmas a long while back. It's an imperfect short, as it is mostly the story of 'Frankenstein' but without all the murder and junk. John August pens this one (as he often does collaborations on all of Burton's scripts), and Winona Ryder voices one of the characters, marking a 21 year gap between the two's collaboration on 'Edward Scissorhands'.

8) Looper (September 28) - Rian Johnson is one of my favorite independent writer/director working today. To be honest, of recent times, with his casts and etc. one would think he would have gotten more recognition with 'The Brothers Bloom' (a fantastic con film in my gracious opinion). 'Looper' is a sci-fi film involving a hit man for the mob who kills people sent to him from the future. He recognizes his next target as himself, hilarity ensues (just kidding about the hilarity). Joseph Gordon-Levitt stars (marks their third collaboration; makes an appearance in Johnson's 'Bloom', his second film, and stars in 'Brick', his first) and Bruce Willis plays his older self. Also Emily Blunt is in it, and she's always great. As an added note, Shane Carruth (the software engineer that refused to dumb down his independent time travel film 'Primer') has something to do with this project, which ensures its going to be fairly accurate, and most likely confusing, in terms of time travel.

9) This is Forty (December 21) - The king of comedy for this generation releases his next film. I speak none other than of Judd Apatow. '40 Year Old Virgin', classic. 'Knocked Up', even better. 'Funny People', misstep, but a valiant one (there's so much personal stuff from Apatow in this that its kind of hard to think its terrible, especially when I actually enjoyed the first half a lot). '40' returns viewers to Pete (Paul Rudd) and Debbie (Leslie Mann) from 'Knocked Up'. Obviously the cast list besides them is pretty nifty, and I'm hoping that this one returns Apatow to former glory.

10) Moonrise Kingdom (May 16) - Wes Anderson. Like Tarantino, Anderson has a firmly placed style. We all know what to expect on this one, and it's a love it or hate it thing. Family issues, symmetrical and neat cinematography, and plenty of montages to the beat of composer Mark Mothersbaugh (from Devo) and songs by bands like The Kinks. I'm a fan. I couldn't say any of his films were bad, and 'The Darjeeling Limited' and 'Fantastic Mr. Fox' (his most recent films) were both quite good. His films are the feel-good type that make you smile when you walk from the theater. I want that.

Honorable Mention:
The Hobbit: An Unexpected Journey (December 14) - After seeing how director Peter Jackson so fantastically transitioned into this EPIC genre over time from gore films ('Dead Alive' is one of my favorite zombie films, by the way), I'm psyched to see the next installment of the 'LOTR' series get his treatment. Although I am a bit more skeptical now that Guillermo Del Toro is not directing (his creatures and ability to make humor ('The Hobbit' is much more family friendly and fun than 'LOTR') which he used in 'Hellboy' would have been perfect). While 'The Hobbit' is one of my favorite books of all time, somehow I'm afraid it will lose some of the elements of loved about it, such as the fact the Bilbo (the main character), an unexpected hero, gets knocked out and the reader misses the entire battle. Sure, Director Peter Jackson will knock Martin Freeman (Arthur Dent in 'The Hitchhiker's Guide to the Galaxy' and Tim, the original version of Jim on the UK 'The Office') out, but the audience will probably have to sit through the entire battle, which will take away from the poetry of the novel in a way. Not to say I'm not excited. Just nervous. Also, I love the old animated 1977 'The Hobbit' a lot.

- Jeff Bassin

Top 10 Movies I'm Looking Forward to In 2012: Jay

1) Dark Knight Rises
With such a great franchise going why would I not want to see the next installment of Christopher Nolan’s Batman (Hopefully I can understand Bane)



2) The Hobbit: An Unexpected Journey
Being a fan of Peter Jackson’s ‘Lord of the Rings’ Trilogy, ‘The Hobbit’ Novel, and ‘The Hobbit’ animated movie (“Kabash (Thunder Sound)”), I can’t wait to see the great ensemble cast and story come to fruition.

3) Prometheus
Directed by Ridley Scott this film looks as though it may just be the most epic film of the year (Plus it takes place in space!).

4) The Raven
Murders in the fashion of Edgar Allen Poe, sounds fun (and disturbing). With Director James McTeigue of ‘V For Vendetta’ I know it is going to be a fun visual experience.

5) Hunger Games
While I’m not yet hooked on the heroin like substance that is ‘The Hunger Games’ craze yet, I am still definitely interested in seeing how it turns out and who knows, maybe I’ll give the books a chance.

6) Moonrise Kingdom
I am a big fan of Wes Anderson Films so I cannot wait for another fun, quirky comedy (I guess that makes me part hipster).

7) Abraham Lincoln Vampire Hunter
Directed by Timur Bekmambetov creator of ‘Wanted’ and the ‘Night Watch’ Films this is sure to be both fun and stylized.

8) This Is 40
A Sequel to ‘Knocked Up’ and it is Written and Directed by Judd Apatow (OK, I’ll forgive you for ‘Funny People’)

9) The Pirates! Band of Misfits
Created by Aardman Animations, creators of ‘Chicken Run’ and ‘Wallace and Gromit’ will be a fun movie with a Claymation look.

10) Frankenweenie
Originally a short by Director Tim Burton, he will now be making it into a feature film and I am excited to see how it comes out (Hopefully not like ‘Alice in Wonderland’).

Honorable Mention:
Brave
I would but myself if I didn’t put it on here so it shall be luck number 11. While the plot doesn’t appeal to me that much, I can get excited for another original Pixar film (and not a sequel).

- Jay Bassin

Friday, December 16, 2011

Friday, December 16, 2011

High Anxiety- Surprised I had never seen this one, I finally saw this Mel Brooks classic. Being a big fan of Alfred Hitchcock, this film actually seemed quite perfect in terms of what I wanted. A spoof of his films, with most notoriety going to 'Vertigo', I went into it with high hopes. And while those hopes were slightly diminished, I definitely enjoyed myself. Funny, absurd, and a bit too much slapstick, those are staples of the average Mel Brooks film, so you can forgive a few misses when it ones to his humor. It seems like most people forgot about this one, so I would have to say it is one of his underrated films, even though I probably wouldn't rank it too high in terms of his filmography.

From what I have seen by him, here's my top 5:
5) Dracula: Dead and Loving It
4) History of the World: Part I
3) Blazing Saddles
2) The Producers
1) Young Frankenstein

So I guess 'High Anxiety' doesn't really rank, even though I somewhat enjoyed it. It was at least better than 'Robin Hood: Men in Tights' in my opinion.



- Jeff Bassin

Friday, November 18, 2011

Friday, November 18, 2011

Friends With Benefits- Like I've said before, the cast really makes this film. The whole film seems cheaper when I think about the dialogue and app jokes coming from other people's mouths (though Kutcher and Portman probably could have done this one too though). So enjoy it, a solid enjoyable romantic comedy doesn't come around that often.



Transformers: Dark of the Moon- All together a little tiring the second time around. Especially knowing that after 2-3 hours of explosions (cool though they are), I will be rewarded with nothing but that same shlocky Optimus inspirational speech, with no real ending in sight. My problem is that it is left open ended. Why? It's the end. Why can't it seem like it? Everything until then is fine though (explosions and money burning by the second)… I mean, for a Transformers flick.



Harry Potter and the Deathly Hallows Part 2- It's finally gotten to the point where I can completely decide that I enjoy Part 1 more than Part 2. Despite the Helena Botham Carter/ Polyjuice scene being one of the best in the series in my opinion, the film really is just okay. By okay, I mean good, just not notable. I liked it, but it feels like a concluding chapter rather than one on its one. It's like the last chapter in a book. You've already gotten through the real arcs, now you just have to finish it so that nothing is left to watch. Actually, I'll put the movies in order so you get that I'm not hating on it.
8: Chamber of Secrets
7: Order of the Phoenix
6: Sorcerer/Philospher's Stone
5: Half-Blood Prince
4: Deathly Hallows Part 2
3: Goblet of Fire
2: Prisoner of Azkaban
1: Deathly Hallows Part 1
None of the films are bad. All are awesome. But after about ten minutes of deliberation, that's my order of 8.



- Jeff Bassin

Saturday, September 24, 2011

Saturday September 24, 2011 - TOP 10 REASON FOR THE BEST PIXAR FILM



The Incredibles- There is a reason it's my favorite Pixar film. One can say that it's a mix between that Pixar "family" sensibilities and 'Watchmen', but I'll further venture to say it's much more unique. Top 10 Reason It is the Best Pixar Film:

1) It's great how it chooses to humanize its villain, so then he makes immoral choices, they also seem grounded. Jason Lee does a great job doing the voice over.

2) It's visual to script jokes, from capes, to outfits, to annoying babysitters, the movie really has it all.

3) Edna Mode, the single coolest fashion designer ever. Darling, don't argue with me.

4) Michael Giacchino's jazzy score stays in your head to an extent. Very superhero.

5) Doesn't hide under a kid's film. It's like a bottle of alcohol placed under heavy enclosing. Kids can stand around it, but parents are the one who get the real benefit. It's a spy film first an foremost.

6) The superhero code names. Mr. Incredible, Elastigirl, Frozone, Bomb Voyage, Gazerbeam, The Underminer, Mirage, Syndrome. There are loads more named, and all of them are unique, fun, and underlay a theme or personality trait of the figure who inhabits it. So much for hiding one's real self.

7) The locations of the film. Suburbia. Tropical Island. Cave. Secret Hideout. Volcanoes. THEY HAVE VOLCANOES!

8) The underlaying adult plot of a soured marriage and a man's midlife crisis. It's clearly a personal film for Brad Bird and can be compared to his family life and Pixar working life. These are not things for a kid's film. Hey, they won't really notice. Even if they do, these are completely appropriate for kids to watch, so it's okay.

9) Great lines. "Everyone can be super! And when everyone's super… no one will be", "Next time you gamble, bet on your own life", and "You sly dog! You got me monologuing!". Classic.

10) Director Brad Bird's attention to detail. There are so many little things that are so integral in the plot, but add a slight touch of re-watchability each time. There is way too many for me to list. Things like that, as well as the success of my second favorite Pixar film, 'Ratatouille', and the underrated-ness of 'The Iron Giant' is exactly why I have so much faith in Bird directing something live action. 'Mission: Impossible - Ghost Protocol' may seem a bit generic (since all hollywood action films seem that way) but I'm hoping Bird will add enough detail and creativeness to make it the best of the series.



- Jeff Bassin

Sunday, October 10, 2010

A Few New (and more unknown) Films to Look Out For and Why



Catfish- A "documentary" with some incredible buzz. It's about some guy who starts a relationship with some chick and her family on facebook, and eventually he finds out she lying about herself so he travels to accuse her of this. Reason to watch: Think Dateline the Movie, but way more interesting.

Post Viewing: Awesome. It's not the "Hitchcockian" thriller it suggests, but it is very interesting and very modern. Watch it.



Enter The Void- Gaspar Noé's trippy ambitious film about a dead drug addict who's ghost looks over his sister because of tragedy in their past. Blah, blah, blah, incredible visuals, blah, blah, blah, acid trip. Reason to watch: "What's going on? (Pause) Woah, pretty colors"

Post Viewing: Weird as it seems, maybe even more, but it's striking, original, and very great would be the words to think of before watching it. Take out the 3 hours required to view this (it's only 2 hours and 40 minutes, I think, but you'll need the 20 to recover) though don't watch it with friends (or at least don't talk during it). This is a movie to take on by yourself, but then to discuss like crazy nonstop afterwards.



Monsters- While Gareth Edwards' new sci fi film may seem like the next Cloverfield with a more natural shooting environment (Mexico), it is actually a drama/love story so don't go crazy if it wasn't like you expected it to be. Reason to watch: Edwards is a skilled FX man, who shot this feature for only 7K. It looks great. Plus, the man released it on iTunes rental early, so why not? CON: Well, it's 10 bucks for the rental, so maybe you can wait.

Post Viewing: Not great. I mean, it's mostly cool sites around Mexico, with some talking placed in. There is only like one or so Alien bits, but that's not really my complaint. It's that I just couldn't believe the love story, and I think that should have been the first concern of the film. You would think that a movie focusing on a relationship would be able to paint one you wanted to happen, but really, I just didn't care. I was just wishing for an alien to attack them already. It's not terrible. Just not great. I really would only recommend this to people who want to see how Edwards uses effects to even alter props in the scene, changing a sign saying "Stop" to "Contamination (or something)".



127 Hours- Danny Boyle's Slumdog follow up with James Franco. Well see how it lives up. Reason to watch: Boyle's fast paced kinetic style in a scenario of James Franco trapped under some rocks. Wonder if it will show him amputating his lower right arm with a dull knife in order to escape like the true story it is based on. Interesting.

Post Viewing: Really great editing makes Franco entertaining and keeps the movie fast paced and fun (maybe not the right choice of words). I enjoyed it. Although, since you kind of know what's going to happen, either from movie hype or just plain old knowledge of Aron Ralston's amazing story, you might as well skip to the Arm Cutting Scene that everybody wants to see so bad. But then again, if you want to see how he got to that point (which is pretty interesting), I will certainly be the one to push on that idea.



Miral- Julian Schnabel, director of The Diving Bell and the Butterfly, has got a lot to live up to after his 92 metacritic score and world wide acclaim, and he chose to direct a drama about a orphan Palestinian girl during the Arab-Israeli war. Reason to watch: It's apparently going to be in English.

Beginners- Thumbsucker director Mike Mills' first narrative based since the former, and he's got a rockin' cast to boot. Ewan McGregor, Christopher Plummer, and Mélanie Laurent. Also, look at the cute dog.



- Jeff Bassin